Events

Thursday, October 29, 2026 $30 Advance | $32 Day of Show Doors 7pm | Show 8pm How did East Nash Grass follow up their 2024 International Bluegrass Music Association (IBMA) award for Best New Artist? By earning a nomination for Entertainer of the Year, IBMA’s highest honor, in 2025, and celebrating fiddler Maddie Denton’s win as Fiddler of the Year. In short, East Nash Grass have quickly established themselves as the fresh new face of Nashville’s storied bluegrass tradition, a supergroup of rising stars: Grand Master Fiddle champion Denton is joined by banjo player Cory Walker (banjo player on the five-time nominated “Carter & Cleveland” album this year, among numerous accolades), 2022 IBMA Momentum Instrumentalist of the Year Harry Clark, and new guitar player Frank Rische. This is an all-star band that harkens back to the sort of talent collected in the original Blue Grass Boys and a powerhouse leader of the next generation in bluegrass excellence. Rolling Stone had them among the “best of what we saw” at RockyGrass in 2025, praising their “rowdy set of high-octane bluegrass numbers,” and noting, “The group itself is a rapidly-rising force on the national touring scene.” And “rowdy” is right. They are far more than […]

Friday, November 13, 2026 $39 Advance | $41 Day of Show Doors 7pm | Show 8pm “It’s time to make a change,” Robbie Fulks declares at the start of Now Then, his second album on Nashville’s Compass Records. This statement is familiar to anyone who follows this critically acclaimed and GRAMMY-nominated singer-songwriter’s career. Since emerging in the 1990s as a pioneer of today’s Americana movement, Fulks has consistently explored different sounds, genres, and themes across 16 albums, performing on stages from the Grand Ole Opry and Late Night with Conan O’Brien to the Hollywood Bowl and Jimmy Kimmel Live with Steve Martin, Alison Brown, and Tim O’Brien. That restless spirit lies at the heart of Now Then. Like a well-stocked jukebox in your favorite bar, the 12 songs on Now Then range from folk to power pop, jazz to old-time country. But the perspective threaded through each one comes from the realization that the time behind you spans a greater distance than what lies ahead. “It’s from an older person’s outlook, and mostly true,” Fulks says. “The tone is about 70 percent reflective, 20 percent amused, and 10 percent angry.” Indeed, the album opener “Workin’ No More Blues” quietly resists a world that demands greater conformity by the day: “Now I’m weary of those […]