don’t feed the bear

Narrows Center for the Arts 16 Anawan St., Fall River, MA

Narrows Yumaverse Series Thursday, September 24, 2026 $23 Advance | $25 Day of Show Doors 6:30pm | Start 7pm SOLO ONE ACT. don't feed the bear is a 45-minute dark comedy about loneliness, memory, and the aching desire to be seen. With biting speech, meta-humor, and quiet heartbreak, don't feed the bear will draw you from your seat into Will's world, and by the end, you might just want to bring Will into yours. About the writer: Cam Torres is an American playwright based in Fall River, Massachusetts. He graduated from Emerson College with a degree in Acting in 2015. He is primarily a working actor, but has the years go on is transitioning behind the scenes spending more time writing and directing. In 2019, Brown Box produced the world premiere production of don't feed the bear. Since then, don't feed the bear has performed in LA Fringe Festival and in Calgary, CAN. Following the performance, the playwright, Cam Torres will host a 15-minute talkback with the audience.

Trey Hensley

Narrows Center for the Arts 16 Anawan St., Fall River, MA

Thursday, September 24, 2026 $30 Advance | $32 Day of Show Doors 7pm | Show 8pm GRAMMY® winner and reigning two-time IBMA Guitar Player of the Year Trey Hensley has been called a “musical phenom” by NPR, “a guitar-slinging superhero” by Bluegrass Today, “Nashville’s hottest young player" by Acoustic Guitar magazine, and “the Swiss Army knife of roots music” by WMOT Radio’s Craig Havighurst. Hensley’s artistry has received high praise from the likes of Merle Haggard and Marty Stuart. An Eric Clapton’s Crossroads Guitar Festival invitee who has collaborated with Johnny Cash, Vince Gill, Dolly Parton, Taj Mahal and Tommy Emmanuel, Hensley is known for his other-worldly guitar playing, jaw-dropping musicianship and soulful storytelling. Having recently announced his signature guitar with Taylor Guitars: The Trey Hensley Gold Label 510e, Hensley is set to release a new album, Can’t Outrun The Blues, on March 6, 2026. The title cut has spent multiple weeks at #1 on the bluegrass charts.

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