• Jason Robert Brown with Special Broadway Guests

    Narrows Center for the Arts 16 Anawan St., Fall River, MA

    Friday, November 6, 2026 $75 Advance | $80 Day of Show Doors 7pm | Show 8pm JASON ROBERT BROWN is the ultimate multi-hyphenate – an equally skilled composer, lyricist, conductor, arranger, orchestrator, director and performer – best known for his dazzling scores to several of the most renowned musicals of our time, including the generation-defining The Last Five Years (revived on Broadway in 2025 with Nick Jonas and Adrienne Warren); his debut song cycle Songs for a New World; and the seminal Parade, winner of the 1999 Tony Award for Best Score and the 2023 Tony for Best Revival of a Musical. Jason Robert Brown has been hailed as “one of Broadway’s smartest and most sophisticated songwriters since Stephen Sondheim” (Philadelphia Inquirer), and his “extraordinary, jubilant theater music” (Chicago Tribune) has been heard all over the world, whether in one of the hundreds of productions of his musicals every year or in his own incendiary live performances. Jason’s score for The Bridges of Madison County, a musical adapted with Marsha Norman from the bestselling novel, received two Tony Awards (for Best Score and Orchestrations). Honeymoon In Vegas, based on Andrew Bergman’s film, opened on Broadway in 2015 following a triumphant production at Paper Mill Playhouse. A film […]

  • Amani Burnham live at the Narrows

    Narrows Center for the Arts 16 Anawan St., Fall River, MA

    Saturday, November 7, 2026 $33 Advance | $36 Day of Show Doors 7pm | Show 8pm “Meet Amani Burnham, the budding blues-rock hero blending fingerstyle technique with SRV tone. Burnham is blowing minds with his fretwork.” – Guitar World Seventy years after its initial recording, blues-rock artist Amani Burnham posted a video of himself playing Muddy Waters’ “Hoochie Coochie Man.” It was surreal to see a 19-year-old on Instagram wielding a white Fender Stratocaster with such dexterous ferocity and sensual charisma. But there Amani was, seated on the floor in Gen Z’s standard uniform of sweatpants and a hoodie, holding the guitar like a sword between his legs and playing the hell out of it. In his hands, the Willie Dixon blues standard sounded sexy and dangerous again. At the time, Amani hadn’t been playing guitar for very long, and the post was simply a natural extension of his love for blues-rock. Yet his fluid soloing and electrifying showmanship captured the imagination of blues fans and seasoned professional musicians alike, inadvertently heralding the arrival of a new blues dynamo. “Most 20-year-olds haven’t heard of ‘Hoochie Coochie Man,’” shares the Middletown, Connecticut–based artist. “But I bring an energy and a life force to the music […]

  • Robbie Fulks & Heath Maloney

    Narrows Center for the Arts 16 Anawan St., Fall River, MA

    Friday, November 13, 2026 $39 Advance | $41 Day of Show Doors 7pm | Show 8pm “It’s time to make a change,” Robbie Fulks declares at the start of Now Then, his second album on Nashville’s Compass Records. This statement is familiar to anyone who follows this critically acclaimed and GRAMMY-nominated singer-songwriter’s career. Since emerging in the 1990s as a pioneer of today’s Americana movement, Fulks has consistently explored different sounds, genres, and themes across 16 albums, performing on stages from the Grand Ole Opry and Late Night with Conan O’Brien to the Hollywood Bowl and Jimmy Kimmel Live with Steve Martin, Alison Brown, and Tim O’Brien. That restless spirit lies at the heart of Now Then. Like a well-stocked jukebox in your favorite bar, the 12 songs on Now Then range from folk to power pop, jazz to old-time country. But the perspective threaded through each one comes from the realization that the time behind you spans a greater distance than what lies ahead. “It’s from an older person’s outlook, and mostly true,” Fulks says. “The tone is about 70 percent reflective, 20 percent amused, and 10 percent angry.” Indeed, the album opener “Workin’ No More Blues” quietly resists a world that demands greater conformity by the day: “Now I’m weary of those […]

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