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DTSTART;TZID=America/New_York:20260929T200000
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UID:10020660-1790712000-1790719200@www.vivafallriver.com
SUMMARY:Five for Fighting with String Quartet
DESCRIPTION:Tuesday\, September 29\, 2026\n$55 Advance | $57 Day of Show\n[all-in pricing\, no additional fees]\nDoors 7pm | Show 8pm\nOpener: Lace & Lee \nThe only way for a story to progress is to turn the page. \nJohn Ondrasik— the songwriter and performer known as the platinum-selling\, Grammy-nominated\, Five For Fighting—knows this well. In the two decades since his first major single\, “Superman (It’s Not Easy)\,” hit the stratosphere\, the artist has both evolved and come back ‘round full circle. Creativity\, if nothing else\, is paradoxical.\n\n\nTo date\, Five For Fighting\, has released six studio LPs\, including the platinum certified America Town and The Battle for Everything; and the top-10 charting Two Lights\, along with an EP and live albums. Ondrasik has penned major hits\, including the chart-topping “100 Years\,” “The Riddle\,” “Chances\,” “World\,” and “Easy Tonight\,” which have earned over one billion streams and place him as a top-10 Hot Adult Contemporary artist for the 2000s. The reflective “100 Years” has joined “Superman (It’s Not Easy)” as part of the American Songbook and continues to stand the test of time at weddings\, birthdays\, graduations\, memorials\, and many a home video. Five For Fighting’s music has also been featured in more than 350 films\, television shows\, and commercials\, including the Oscar-winning The Blind Side\, Hawaii Five-O\, The Sopranos and the CBS drama\, Code Black. \nReferencing Fight For Fighting’s success in the 2000s\, AllMusic called Ondrasik “one of the decade’s leading balladeers.” But perhaps his biggest achievement is performing “Superman (It’s Not Easy)\,” at the 2001 Concert for New York\, a benefit show at Madison Square Garden that honored first responders and the fallen about a month after the tragic September 11th attacks. Ondrasik performed alongside other big-name artists like Paul McCartney\, The Who\, Elton John\, Billy Joel\, and dozens more. \nSays Ondrasik\, “It was a surreal experience. I was honored and blessed to pay tribute to the heroes who ran into those buildings at ground zero\, and hopefully\, through a song\, provide a little solace to family members who’d lost loved ones.” \nNow\, though\, what once was a dream is a reality. Buoyed by his unique falsetto voice and his prowess on the piano—a skill bestowed to him by his piano teacher mother—Ondrasik has made a solid reputation for himself in the world of songwriting and performance\, selling upwards of three million albums over his career. Not only does he tour with his popular string quartet and play solo and rock band gigs\, but he is also a high demand keynote speaker in which he combines themes of creativity and innovation with his business acumen.  Along with his father\, he has managed the family business throughout his musical career.  As Ondrasik happily puts it\, his company\, Precision Wire Products\, “makes the best shopping cart in the world!” \nHe’s presented at TEDx\, The Salk Institute\, American Cancer Society\, and dozens more. Perhaps being the son of an astrophysicist dad and having a degree in mathematics from UCLA has something to do with it. \n“Math was the Plan-B to get a real job when the music thing imploded\,” says Ondrasik\, with a chuckle. \nBut that doesn’t mean he wasn’t always a student at heart. As he wrote songs in his late teens and early 20s\, the Los Angeles-born Ondrasik studied his favorite rock vocalists. Finding out that singers like Freddie Mercury and Steve Perry studied classical voice\, he did too\, even seeking out some of those icons’ former teachers. No stone unturned. \nIn September of 2021\, Ondrasik released the powerful\, “Blood on My Hands\,” a protest song that takes a non-political\, moral stance against the 2021 United States chaotic withdrawal from Afghanistan. While he’s well-versed in politics\, he isn’t of a bickering mindset. For Ondrasik\, it’s about the conversation. “Blood on My Hands\,” the track\, accompanying acoustic version\, and docu-music video\, “Blood on My Hands (White House Version)\,” has had millions of streams to date (despite little-to-no radio play). Like other protest songs of the past— “Ohio” by Crosby\, Stills\, Nash & Young or “The Times They Are a-Changin’” by Bob Dylan—Ondrasik aimed to point out a problem. While it’s critical of President Biden’s administration\, he says that if a Republican were President\, the song would remain the same\, only the names would change. \nThanks to the song\, years later\, Ondrasik is still working with evacuation groups that strive to help the American citizens left behind in Afghanistan by the U.S. government\, as well as the Afghan people who remain there largely under the threat of terrorism. It’s a difficult\, and at times a polarizing subject\, but it’s one Ondrasik is not shying away from. Not because of any politics or partisan pats on the back\, but simply because he knows it’s the right thing to do. \nOndrasik notes\, “There has been a tradition of musicians speaking truth to power. In the current tribal culture\, our freedom of expression has never been more critical.” \nIn 2022\, Ondrasik released “Can One Man Save The World?” with a powerful companion music video\, featuring the Ukrainian Orchestra filmed in Ukraine.  The song\, inspired by the courage of President Vladimir Zelenskyy and the people of Ukraine\, asks the nation\, and the world\, to stand up for core values of freedom and justice. \nMoved to action that extended beyond songwriting\, Ondrasik entered an area\, outside of Kyiv\, that had seen heavy combat shortly after the Russians pulled back from the capital with an American production crew. \n“I was honored to perform my new Ukraine tribute song Can One Man Save the World? with the Ukrainian Orchestra in the ruins of the Antonov Airport – in front of the Ukrainians’ beloved Mriya\, the world’s largest cargo plane that Russia destroyed at the outset of the war\,” said Ondrasik. “In sharing this musical collaboration on such hallowed ground\, I saw firsthand the fortitude and grace of the Ukrainian people\, who whether playing a violin or driving a tank\, will not be deterred by Putin’s atrocities and aggressions.” \nProceeds from the single and its companion video benefit the NGO Save Our Allies and further its mission of providing humanitarian aid to Ukraine and Afghanistan. \nThroughout his multi-decade career\, which began when music publisher Carla Berkowitz (now his wife of 25 years) discerned him in a dive bar\, Ondrasik has been involved in multiple charity efforts. Along with supporting the troops via multiple USO tours\, Ondrasik created “The CD For the Troops” project with song and comedy compilations featuring artists like Billy Joel\, Melissa Ethridge\, Chris Rock\, and others\, gifting more than one million CDs to veterans and military families. John has also been deeply involved with the ALS charity “Augie’s Quest.” and is an ambassador for his pal Gary supporting the Gary Sinise Foundation. \nWhile he may not be as obsessive as he once was—writing upwards of dozens of songs per month\, Ondrasik is more focused today. He knows who he is\, as an artist and as a human being. His is a career molded by light and darkness. At one point\, he’d been looked over by every publishing house and label out there. At another\, he had one of the biggest songs in the world. Those extremes give a person perspective. \n“I’ve been incredibly blessed\,” he says. “I still pinch myself.” \nAs Five For Fighting\, which is a professional hockey term designating a five-minute penalty for fisticuffs on the ice\, Ondrasik has also developed a close relationship within the world of sports. He was a contributing writer for Sports Illustrated as well as for his beloved Los Angeles Kings. Five For Fighting was one of the first musical artists to perform on ESPN’s SportsCenter\, and has played The Daytona 500\, Monday Night Football\, The Heritage Classic\, the L.A. Kings outdoor hockey game\, and more. Recently\, John performed a version of 100 Years for CBS sports celebrating “100 Days to the Superbowl” and is routinely featured in Bally Sports broadcasts at the start of L.A. Kings hockey games. \n“Singing from home plate at Dodger stadium\,” Ondrasik says\, “where\, as a five-year-old boy\, my dad and I would catch bleacher bombs during batting practice—that was a dream.” \nToday\, Ondrasik spends his time writing music\, touring\, working at the family business\, supporting various charities\, and enjoying life with his wife\, two children\, and dog Ender. \nThrough “What Kind of World Do You Want\,” Ondrasik’s charity driven website – WhatKindofWorldDoYouWant.com – he has raised funds for Afghan evacuation organizations\, refugees and Augie’s Quest to cure ALS. He continues to support Save Our Allies and the Ukrainian people through “Can One Man Save the World”\, multiple charities fighting antisemitism globally\, and looks forward to returning to Ukraine and Israel in the near future. \nWhat motivates him musically now? \nHis latest three songs tell the story. He wants to promote dialogue. He’s set to speak his mind\, with words\, melody\, and conviction. \nOndrasik doesn’t shy away from nuance. He embraces it and seeks it – just as he does the next chorus\, the next verse\, all the while searching for a bridge\nIt’s what artists and freethinkers do\, after all. \nIt’s his gift to share. \nHis decided obligation\, too. \nAbout Lace & Lee: \nLace & Lee is a folk rock duo heavily influenced by the mystical wisdom of 60s and 70s storytelling\, with a twist of humor and bard-like prose. Caroline Lace and Olivia Lee began their musical journey at NYU Tisch\, and have since toured with Five For Fighting. Their ethereal vocals and risky harmonies carry the spirit and charm of Celtic music\, often holding a mirror up to the 21st century.
URL:https://www.vivafallriver.com/event/five-for-fighting-with-string-quartet/
LOCATION:Narrows Center for the Arts\, 16 Anawan St.\, Fall River\, MA
CATEGORIES:Live Music
ATTACH;FMTTYPE=image/jpeg:https://www.vivafallriver.com/wp-content/uploads/2026/04/fiveforfighting.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20261001T200000
DTEND;TZID=America/New_York:20261001T220000
DTSTAMP:20260618T213636Z
CREATED:20260618T213636Z
LAST-MODIFIED:20260618T213636Z
UID:10022315-1790884800-1790892000@www.vivafallriver.com
SUMMARY:North Mississippi Allstars
DESCRIPTION:Thursday\, October 1\, 2026\n$50 Advance | $52 Day of Show\n[all-in pricing\, no additional fees]\nDoors 7pm | Show 8pm \nNorth Mississippi Allstars started by brother Luther and Cody Dickinson in 1996 as a loose collective of musicians from their North Mississippi home inspired by their father Jim Dickinson as well as neighbors and musical elders of their community; RL Burnside\, Junior Kimbrough\, Otha Turner and Fred McDowell. Luther’s first national tour was the RL Burnside Ass Pocket of Whiskey tour in 1997\, selling out shows in the US and Canada. “Kenny Brown hired me to tour with RL and Cedric and showed me the ropes. That experience blew my mind. Cody and I have been on the road ever since.” \nNMA began touring in 1998 and over the years the touring lineup has included\, Cedric\, Duwayne and Garry Burnside\, Chris Chew\, Berry Oakley Jr\, Oteil Burbruidgem  and currently Joey Williams of the Blind Boys of Alabama and Ray Ray Hollowman\, guitar player for Eminem and Nee-O. \nSince their debut album in 2000 and hitting the never ending road\, they have shared the stage with countless legends; Phil Lesh\, Mavis Staples\, Robert Plant\, John Hiatt\, the Allman Brothers\, The Black Crowes\, Buddy Guy\, Snoop Dogg\, and Jon Spencer to name a few\, while earning multiple grammy nominations for their experimental albums of they like to call Modern Mississippi Music.
URL:https://www.vivafallriver.com/event/north-mississippi-allstars/
LOCATION:Narrows Center for the Arts\, 16 Anawan St.\, Fall River\, MA
CATEGORIES:Live Music
ATTACH;FMTTYPE=image/jpeg:https://www.vivafallriver.com/wp-content/uploads/2026/06/NorthMississippi450.jpg
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20261016T200000
DTEND;TZID=America/New_York:20261016T220000
DTSTAMP:20260622T143806Z
CREATED:20260622T143806Z
LAST-MODIFIED:20260622T143806Z
UID:10022365-1792180800-1792188000@www.vivafallriver.com
SUMMARY:Paul Bielatowicz’s “Nosferatu” Live
DESCRIPTION:Friday\, October 16\, 2026\n$30 Advance | $33 Day of Show\n[all-in pricing\, no additional fees]\nDoors 7pm | Show 8pm \nBack at the Narrows by popular demand… and this time it’s going to be bigger\, better and bloodier. \nStep into the shadows this Halloween season with Nosferatu Live\, a spine-tingling rock spectacle that brings the 1922 silent horror masterpiece Nosferatu back to life. Created by world-renowned guitarist and composer Paul Bielatowicz (Carl Palmer’s ELP Legacy\, Neal Morse)\, this multimedia concert fuses classic horror with jaw-dropping musicianship and heart-pounding progressive rock. \nPerforming an original score live on stage\, Paul and his band transform the silent film into a thrilling cinematic experience unlike anything you’ve seen before. \nThree giant screens surround the band with immersive visuals\, a synchronized light show and surprise virtual appearances from an all-star lineup including Jordan Rudess (Dream Theater)\, Ron “Bumblefoot” Thal (Guns N’ Roses\, Sons of Apollo\, Asia)\, Arthur Brown (The Crazy World of Arthur Brown)\, Dave Bainbridge (Strawbs\, Iona)\, Peter Zay (New Bedford Symphony Orchestra)\, and Simon Fitzpatrick (ELP Legacy\, Jennifer Batten). \nPart concert\, part film\, part Halloween ritual\, Nosferatu Live is an unforgettable night where classic horror meets electrifying progressive rock. \nCostumes encouraged. Screams welcome.
URL:https://www.vivafallriver.com/event/paul-bielatowiczs-nosferatu-live/
LOCATION:Narrows Center for the Arts\, 16 Anawan St.\, Fall River\, MA
CATEGORIES:Film,Live Music
ATTACH;FMTTYPE=image/png:https://www.vivafallriver.com/wp-content/uploads/2026/06/Nosferatu-Ad-Mat.png
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20261017T200000
DTEND;TZID=America/New_York:20261017T220000
DTSTAMP:20260618T213654Z
CREATED:20260618T213654Z
LAST-MODIFIED:20260618T213654Z
UID:10022316-1792267200-1792274400@www.vivafallriver.com
SUMMARY:Eric Lindell
DESCRIPTION:Saturday\, October 17\, 2026\n$50 Advance | $52 Day of Show\n[all-in pricing\, no additional fees]\nDoors 7pm | Show 8pm \nNew Orleans-based singer/songwriter and guitarist/multi-instrumentalist Eric Lindell melds West Coast rock\, swampy Gulf Coast R&B\, hard country\, and Memphis soul in a hybrid American roots music that\, while thoroughly respectful of traditions\, blazes a trail of its own.\n\nBorn in San Mateo\, California\, Lindell spent much of his youth in nearby Santa Rosa and Forestville. Although he worked as a baker by day\, Lindell turned his focus to music in the evenings\, honing his chops as a competent vocalist and guitarist by playing in bars around Sonoma County. He produced his debut album\, Bring It Back\, in 1996\, and in 1999 he won the John Lennon Songwriting Competition with his original piece “Kelly Ann.” That same year\, Lindellrelocated to New Orleans to pursue music as a career. The move was beneficial; Lindell soon hooked up with Galactic’s Stanton Moore and began playing shows around town\, frequently enlisting drummers Johnny Vidocovich and Harold Brown (from War) to sit in. He issued a self-released\, self-titled record in 2002\, but the following year saw him move to Sparco Records\, where he released both Piety Street Session and EP Volume 1. Tragic Magic followed in 2005 and sparked serious interest from Alligator Records\, which signed him. They released his Change in the Weather in 2006 and Low on Cash\, Rich in Love in 2008. Lindell continued his prolific output with 2009’s Gulf Coast Highway\, another album of blue-eyed soul and confident guitar work before leaving the label for a few years. Lindell privately issued a couple of albums to sell at gigs — 2010’s Cazadero and 2011’s Between Motion and Rest — the two were combined in a two-disc release entitled West County Drifter on M.C. Records in 2011. That year also saw the release of Live in New Orleans\, the first record from his New Orleans-based supergroup Dragon Smoke\, which also featured Ivan Neville. The next year brought I Still Love You\, another studio set from the guitarist. Dragon Smoke put out another live set\, Live at Wanee 2015\, but Lindell’s next big project was Matters of the Heart. Released in the spring of 2016\, Matters of the Heart was co-produced in part by Luther Dickinson and featured guitar from Anson Funderburgh. Lindell returned to Alligator for 2018’s Revolution in Your Heart\, with percussionist Willie McMains as his only accompaniment.
URL:https://www.vivafallriver.com/event/eric-lindell/
LOCATION:Narrows Center for the Arts\, 16 Anawan St.\, Fall River\, MA
CATEGORIES:Live Music
ATTACH;FMTTYPE=image/jpeg:https://www.vivafallriver.com/wp-content/uploads/2026/06/ericlindell4502026.jpg
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20261022T180000
DTEND;TZID=America/New_York:20261022T200000
DTSTAMP:20260618T213759Z
CREATED:20260618T213759Z
LAST-MODIFIED:20260618T213759Z
UID:10022363-1792692000-1792699200@www.vivafallriver.com
SUMMARY:The Children's Museum of Greater Fall River's 3rd Annual Bingo Night
DESCRIPTION:Join us for an exciting evening of bingo\, prizes\, and fun at the Children’s Museum of Greater Fall River’s 3rd Annual Bingo Night! For just $30\, you’ll receive 12 games of bingo and have the chance to win great prizes while supporting the museum. Enjoy snacks\, a cash bar\, and a lively atmosphere with friends and family. This is a 21+ event\, so gather your crew and mark your calendar for October 22nd!
URL:https://www.vivafallriver.com/event/the-childrens-museum-of-greater-fall-rivers-3rd-annual-bingo-night/
LOCATION:Fall River Elks Lodge #118\, 4500 North Main Street\, Fall River\, MA\, 02720
CATEGORIES:Community/Fundraisers,Other
ATTACH;FMTTYPE=image/png:https://www.vivafallriver.com/wp-content/uploads/2026/06/BINGO-NIGHT-2026-1.png
ORGANIZER;CN="The Children's Museum of Greater Fall River":MAILTO:jo-anne@cmgfr.org
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DTSTART;TZID=America/New_York:20261022T200000
DTEND;TZID=America/New_York:20261022T220000
DTSTAMP:20260618T213702Z
CREATED:20260618T213702Z
LAST-MODIFIED:20260618T213702Z
UID:10022317-1792699200-1792706400@www.vivafallriver.com
SUMMARY:Dar Williams
DESCRIPTION:Thursday\, October 22\, 2026\n$49 Advance | $51 Day of show\n[all-in pricing\, no additional fees]\nDoors 7pm | Show 8pm \n“It’s a highway\, filled with deep\, exotic colors and beautiful delicate things as well as the perils that come from moving so fast\,” says Dar Williams\, describing modern life. On her 13th album\, Hummingbird Highway\, out September 12 on Righteous Babe Records\, Williams celebrates the colors she glimpses from her vantage as a touring musician. “I was a kid from the suburbs who listened when her hippie teachers said to get out in the world\,” Williams muses. Hummingbird Highway is the latest chapter in a richly unfolding story. Drawing on her experience as a playwright\, Williams populates her latest album with nuanced characters that come alive in the space of a few minutes.\nOn the title track\, Williams sings from the perspective of a child speaking to her peripatetic and sometimes struggling parent. Blooming columbines\, china blue teapots\, and cinnamon bark number among the “treasures” in her life\, despite the “pirates” that she imagines populating her worldly parent’s life. “The pirates can be all sorts of things living inside and outside your head. The child\, for better or worse\, knows that there is joy\, unpredictability\, and instability on the home front. She’s rooting for the joy.” \nSince 2013\, Williams has been leading songwriting workshops where she teaches students to let songs find their own trajectories. While writing the breezy bossa nova “Tu Sais Le Printemps\,” (single release 7/29/25) Williams questioned why she was writing a light\, flirty song amidst many gloomy news stories. “I was having coffee with some of my fellow retreat leaders and Beth Nielsen Chapman\, telling them about my ‘frilly’ song\, and Beth said\, ‘That’s just what I want to hear right now!’ It was a nice moment to follow my own advice and let the song find its way.” \nWith help from Williams’ collaborators\, the other songs found their paths as well. Mainly produced by Ken Rich at Brooklyn’s Grand Street recording (with two tracks produced by Dave Chalfant in Western Massachusetts)\, the Hummingbird Highway sessions were a microcosm of the interdependence that provided inspiration from inception to full production. These songs are ecosystems that thrive on co-creation. Daisy Mayhem brings roots-rock energy to the bluegrassy “Put the Coins on His Eyes\,” while long time touring-mate and collaborator Bryn Roberts creates both the hooks and immersive sonic landscapes of every musical genre. Simpatico “studio magic” can be heard in the happy rowdiness of the Richard Thompson cover\, “I Want to See the Bright Lights Tonight\,” as well as in the contemplative “Sacred Mountain” where Williams wraps a halting melody around the narrator\, a Buddhist who struggles to reconcile inward contemplation and political action. Through gray skies\, snow pigeons\, and petitions to stem industrial pollution\, the character moves through shifting mindsets to work towards “what we see; what we breathe in time.” \nWilliams sees and breathes the way people connect with one another\, as chronicled in what she calls her “take on urban planning\,” What I Found in a Thousand Towns (Basic Books\, 2017). “I traveled and watched how other people created these cool things like town-wide science fairs and hilarious celebrations of potatoes and chili\, often going hand-in-hand with providing serious resources like food banks and free clinics\,” she recalls. Along the way\, she’s seen the devotion of strong unions (as in “Put the Coins On His Eyes”) and congressional reps alike. “Maryland\, Maryland” was inspired by conversations with her friend\, Rep. Jamie Raskin\, about what a new state song would include. “In the end\, my definition of a Maryland song was song about Jamie\, who is a proud\, patriotic son of the state.” As Williams continuously takes in the social landscapes of towns and cities\, she has also taken them home\, helping to start a thrift sale\, chairing a community board\, and helping to organize group sings in her New York hometown. “For someone who’s seen a lot of pavement and airports along with all the great places where I’ve played\, it’s especially nice to come home\,” she says. \nAs hummingbirds and folk singers fly\, they gain perspective and not just distance. She finds that wise perch on “Olive Tree\,” a single out on August 26. With production of stirring percussion and twinkling keys\, she considers everything that’s led up to our current moment. Williams observes “all of these strangers and friends” talking about world events at parties and dinner gatherings and thinks back to all the iterations of those conversations from Aristotle on. In a moving verse\, she conjures a time in 1913 when California Berkeley scientists planted an olive grove in the United States and imagined the generations who would meet in the olive trees’ shade for “over one thousand years.” When Williams promises “I’ll meet you here under an olive tree\,” we all know that both she and we will\, wherever and whenever we continue to foster olive trees and a human-scale\, deeply-rooted democratic society. \nLongtime listeners know that Williams and her music are always up for those kinds of conversations that glimpse the brightest colors\, woven into the larger context of time. “As I’ve gotten older\, I feel more comfortable holding a lot of different threads in my hand to create more complicated patterns. Time has given me a better ability to hold a bunch of colors and temperaments and see what happens\, where they become interesting new stories and also where I need to stop and untangle the themes and characters. It’s daunting\, and I’ve learned that\, you know\, daunting is fine\, just keep going.” \nA prolific lyricist and composer\, Matthews has found inspiration in her surroundings; from driving through the Blue Ridge Mountains to the compelling and heart-breaking love story of Richard and Mildred Loving. Thoughtful\, realistic and emotional\, Matthews’ songs speak to the voice of our generation and remind us why music indeed soothes the soul.
URL:https://www.vivafallriver.com/event/dar-williams/
LOCATION:Narrows Center for the Arts\, 16 Anawan St.\, Fall River\, MA
CATEGORIES:Live Music
ATTACH;FMTTYPE=image/jpeg:https://www.vivafallriver.com/wp-content/uploads/2026/06/darw3-49.jpg
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20261113T200000
DTEND;TZID=America/New_York:20261113T220000
DTSTAMP:20260622T143847Z
CREATED:20260622T143847Z
LAST-MODIFIED:20260622T143847Z
UID:10022366-1794600000-1794607200@www.vivafallriver.com
SUMMARY:Robbie Fulks & Heath Maloney
DESCRIPTION:Friday\, November 13\, 2026\n$39 Advance | $41 Day of Show\n[all-in pricing\, no additional fees]\nDoors 7pm | Show 8pm \n“It’s time to make a change\,” Robbie Fulks declares at the start of Now Then\, his second album on Nashville’s Compass Records. This statement is familiar to anyone who follows this critically acclaimed and GRAMMY-nominated singer-songwriter’s career. Since emerging in the 1990s as a pioneer of today’s Americana movement\, Fulks has consistently explored different sounds\, genres\, and themes across 16 albums\, performing on stages from the Grand Ole Opry and Late Night with Conan O’Brien to the Hollywood Bowl and Jimmy Kimmel Live with Steve Martin\, Alison Brown\, and Tim O’Brien.\nThat restless spirit lies at the heart of Now Then. Like a well-stocked jukebox in your favorite bar\, the 12 songs on Now Then range from folk to power pop\, jazz to old-time country. But the perspective threaded through each one comes from the realization that the time behind you spans a greater distance than what lies ahead. “It’s from an older person’s outlook\, and mostly true\,” Fulks says. “The tone is about 70 percent reflective\, 20 percent amused\, and 10 percent angry.” \nIndeed\, the album opener “Workin’ No More Blues” quietly resists a world that demands greater conformity by the day: “Now I’m weary of those around me/And I know for sure they’re sick of me/They say I won’t do as I’m told/They say I’ve lost the thread/I’m too old.” The aged narrator of “Savannah is a Devilish Girl” — a dance between banjo and fiddle — dreams of disappearing into rural life. Love appears in the song “The Thirty-Year Marriage” as something more potent than romance. The narrator and his wife smile at young couples who don’t yet realize what only years reveal: “We didn’t fall out of love/We fell into rhythm.” \nA constant across Now Then is the novelist’s eye for lyrical detail. Peeling back these story songs often uncovers harsh truths\, as in “Your Tormentors\,” where the music’s late-night setting hides family secrets. In “That was Juarez\, This is Alpine\,” a narrator describes a cross-border journey into a troubled landscape of political division and historical injustice\, with the music providing an epic sweep. And “Ocean City” tells a coming-of-age story set in summer 1974\, narrated by a young boy. Adults drink and play gin rummy\, and the boardwalk holds lifelong desires. “The girl downstairs/Has wavy yellow hair/That I’ll be seeing a long time in dreams\,” Fulks sings. \nThroughout his career\, Fulks has collaborated with some of music’s most distinguished artists\, including Lucinda Williams\, jazz violinist Jenny Scheinman\, bluegrass pioneers Sam Bush\, Jerry Douglas\, Alison Brown\, and Sierra Hull\, singer Kelly Willis\, NRBQ’s Al Anderson\, and steel guitarist Lloyd Green. Now Then expands this circle with contributions from Scheinman\, drummers Pete Thomas (Elvis Costello) and Jay Bellerose (Aimee Mann\, Robert Plant\, Alison Krauss)\, bassist Paul Bryan (Aimee Mann\, Jeff Parker)\, keyboardist Wayne Horvitz (John Zorn\, Bill Frisell)\, guitarists Duke Levine (Bonnie Raitt\, Peter Wolf) and Kevin Barry (Jackson Browne\, Rosanne Cash)\, and accordionist Pepe Carlos (La Santa Cecilia)\, among many others. As an ensemble\, they craft intertwined musical textures that drive each song’s rhythm\, highlight their personalities\, and add depth. \nNow Then can be seen as Fulks’ proper “L.A. record\,” as it’s his first complete collection of songs written since moving to Los Angeles in 2019\, featuring musicians he connected with soon after arriving. “Working with people I admired on records but had never met\, who I was just starting to meet — that was at the front of my mind when I started working on the songs\,” he said. “They influenced me when I was trying to put the songs on the page\, and later when I was bringing them to life.” \nRobbie Fulks has always been more than a conventional country singer and songwriter. After growing up in North Carolina and spending time in New York City\, Fulks began his professional music career playing bluegrass in the band Special Consensus before emerging as a solo artist in Chicago during the mid-1990s. His early albums received nationwide praise for blending a modern sensibility with honky-tonk country. His creative partnership with the late Steve Albini resulted in a string of highly regarded albums\, showcasing his sharp lyrical wit\, sophisticated instrumentation\, and inventive storytelling. \nAlong the way\, Fulks gained recognition for his instrumental virtuosity and powerful songwriting. Artists like Sam Bush\, Andrew Bird\, John Cowan\, the Old 97’s\, and Hiss Golden Messenger have covered his songs\, and he has released full albums reinterpreting the works of Michael Jackson and Bob Dylan\, along with two collections of unreleased songs and rarities totaling 103 tracks. His creative ventures include an unhinged 2013 collaboration with the punk legends The Mekons\, productions of albums by alt-country songwriters Brennen Leigh and Dallas Wayne\, and a fiery duo with rockabilly pioneer Linda Gail Lewis. Fulks also performs with comic improvisers; he is a regular at Second City’s holiday fundraisers and has shared the stage with talents like Michael McKean\, Tina Fey\, Bob Odenkirk\, and Fred Armisen. \nFulks resides in Los Angeles with his wife\, actress Donna Jay Fulks. \nAbout Heather Maloney: With over 1\,000 international shows and 9 studio albums under her belt\, Heather Maloney has released her most personal record to date\, Exploding Star (Jan 2025). \nOn Heather’s 2019 album\, Soil In The Sky\, her “ability to channel emotion is radical” (PopMatters) and the tracks are stacked with special guests who help her deliver an immense range of sound and sentiment in 12 songs; there’s a duet with Dawes front-man Taylor Goldsmith and vocal harmonies by Lake Street Dive’s Rachael Price. The all-star band includes drummer Griffin Goldsmith (Dawes)\, and multiple members of the Amos Lee band.  The Bluegrass Situation called her 2015 release\, Making Me Break (produced by Band of Horses’ Bill Reynolds) “an intoxicating blend that captures the sonic texture of indie rock\, the humanity of folk and the spirituality of a Rumi poem.” In 2014 she released “Woodstock”\, her collaborative effort with Boston quartet Darlingside\, which drew praise from the New York Times and Graham Nash. \nHeather’s songs have played on NPR stations across the country and her live appearances have aired on syndicated programming like eTown and AudioTree. Her song “Nightstand Drawer” was featured in the season finale of the CBS TV series “Elementary”\, and her songs have also been streamed hundreds of thousands of times on editorial Spotify playlists & Starbucks’ in-store nationwide playlists. \nAs well as a songwriter and performer\, Heather is an illustrator and linocut artist who carves and prints visual representations of her songs on a variety of mediums. \nHeather has toured throughout the US & Canada as a headliner and also in support of acts including Anais Mitchell\, Lake Street Dive\, Shakey Graves\, Gary Clark Jr.\, Rodrigo y Gabriela\, Colin Hay (Men at Work)\, Mary Chapin Carpenter\, Shawn Colvin\, Dar Williams and many more.
URL:https://www.vivafallriver.com/event/robbie-fulks-heath-maloney/
LOCATION:Narrows Center for the Arts\, 16 Anawan St.\, Fall River\, MA
CATEGORIES:Live Music
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DTSTART;TZID=America/New_York:20261128T200000
DTEND;TZID=America/New_York:20261128T220000
DTSTAMP:20260618T213738Z
CREATED:20260618T213738Z
LAST-MODIFIED:20260618T213738Z
UID:10022340-1795896000-1795903200@www.vivafallriver.com
SUMMARY:Neal McCarthy Electric Band
DESCRIPTION:Saturday\, November 28\, 2026\n$30 Advance | $32 Day of Show\n[all-in pricing\, no additional fees]\nDoors 7pm | Show 8pm \nFor over 30 years\, Neal McCarthy has been at the forefront of the regional music scene. Neal doesn’t play the music\, he channels it.
URL:https://www.vivafallriver.com/event/neal-mccarthy-electric-band/
LOCATION:Narrows Center for the Arts\, 16 Anawan St.\, Fall River\, MA
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DTSTART;TZID=America/New_York:20261203T200000
DTEND;TZID=America/New_York:20261203T220000
DTSTAMP:20260622T143747Z
CREATED:20260320T164640Z
LAST-MODIFIED:20260622T143747Z
UID:10019894-1796328000-1796335200@www.vivafallriver.com
SUMMARY:Chris Smither
DESCRIPTION:Thursday\, December 3\, 2026\n$49 Advance | $51 Day of Show\n[all-in pricing\, no additional fees]\nDoors 7pm | Show 8pm\n\nBorn in Miami\, during World War II\, Chris Smither grew up in New Orleans where he first started playing music as a child. The son of a Tulane University professor\, he was taught the rudiments of instrumentation by his uncle on his mother’s ukulele. “Uncle Howard\,” Smither says\, “showed me that if you knew three chords\, you could play a lot of the songs you heard on the radio. And if you knew four chords\, you could pretty much rule the world.” With that bit of knowledge under his belt\, he was hooked. “I’d loved acoustic music – specifically the blues – ever since I first heard Lightnin’ Hopkins’ Blues In My Bottle album. I couldn’t believe the sound Hopkins got. At first I thought it was two guys playing guitar. My style\, to a degree\, came out of trying to imitate that sound I heard.”\nIn his early twenties\, Smither turned his back on his anthropology studies and headed to Boston at the urging of legendary folk singer Eric von Schmidt. It was the mid-’60s and acoustic music thrived in the streets and coffeehouses there. Smither forged lifelong friendships with many musicians\, including Bonnie Raitt who went on to record his songs\, “Love You Like A Man” and “I Feel the Same. (Their friendship has endured as their career paths intertwined over the years.) What quickly evolved from his New Orleans and Cambridge musical experiences is his enduring\, singular guitar sound – a beat-driven finger-picking\, strongly influenced by the playing of Mississippi John Hurt and Lightnin’ Hopkins\, layered over the ever-present backbeat of his rhythmic\, tapping feet (always mic’d in performance). \nSmither’s first albums\, I’m A Stranger\, Too! (1971) and Don’t It Drag On (1972) were released on Poppy Records\, home of kindred spirit Townes Van Zandt. By the time Smither recorded his third album\, Honeysuckle Dog with Lowell George and Dr. John helping out\, United Artists had absorbed Poppy and ultimately dropped much of their roster\, including Smither. Smither made his next record in 1985\, when the spare It Ain’t Easy on Adelphi Records marked his return to the studio. \nBy the early ’90s\, Smither’s steady nationwide touring and regular release of consistently acclaimed albums cemented his reputation as one of the finest acoustic musicians in the country. His 1991 album\, Another Way to Find You\, was recorded live in front of an in-studio audience with no overdubs or second takes. This would be the first of two albums with Flying Fish Records. His next recording\, Happier Blue\, was embraced by Triple A radio and received the NAIRD (now AFIM) award as Best Folk Recording of 1993. Up On The Lowdown (1995) marked the first of a trio of albums to be recorded with producer Stephen Bruton at The Hit Shack in Austin and his first of five albums with roots label HighTone Records. Up On the Lowdown rode the crest of the newly formed Americana radio format wave and sparked considerable interest abroad. A tour of Australia with Dave Alvin and extensive solo touring in Europe led to an expanding global interest in Smither. His song\, “I Am the Ride\,” from this album inspired the independent film\, The Ride\, for which Smither also composed the original score. \nIn early 1997 Smither released Small Revelations. It climbed the Americana and Triple A radio charts and led to concert dates with B.B. King\, Bonnie Raitt\, Nanci Griffith\, and the hugely successful\, original Monsters of Folk’ tour with Ramblin’ Jack Elliott\, Dave Alvin and Tom Russell. Small Revelations also generated several film projects for Smither. Emmylou Harris recorded his song\, “Slow Surprise\,” for the The Horse Whisperer soundtrack on MCA. And his recording of “Hold On” was used in the indie feature film Love From Ground Zero. Smither also shared insight into his guitar style and technique on two instructional DVDs\, available from Homespun Video. \nHis CD\, Drive You Home Again (1999)\, garnered four-stars from Rolling Stone. And with it\, Smither continued to tour world-wide. Shortly after\, in 2000\, Smither released his one-man-tour-de-force\, Live As I’ll Ever Be. Recorded in-concert at various clubs and concert halls in California\, Dublin\, Galway\, Boston\, and Washington DC\, it has proven to be a fan favorite\, capturing Smither at what he loves to do: performing in front of an audience. \nTrain Home (2003) was Smither’s last record for HighTone and his first with producer David Goodrich. Over a six-week period\, basic tracks for Train Home were recorded in the relaxed environment of Smither’s home near Boston. Working with new session musicians\, the record is simultaneously sparse and assured. Bonnie Raitt graciously provided backing vocals and slide guitar on Smither’s cover of Bob Dylan’s “Desolation Row.” And Smither’s “Seems So Real” from the CD earned a Folk Alliance Award as “Song of the Year.” \nIn 2005\, jazz great Diana Krall covered “Love Me Like A Man\,” introducing what is now a blues standard to a whole world of jazz fans. Shortly after\, Smither’s song “Slow Surprise” was included in the independent film\, Brother’s Shadow. In addition\, Smither narrated a two-CD audio book recording of “Will Rogers’ Greatest Hits.” Continuing to expand his creative horizon\, Smither was invited to contribute an essay to Sixty Things to Do When You Turn Sixty\, a 2006 collection of essays by American luminaries on reaching that milestone. In 2009\, Melville House published Amplified\, a book featuring 16 short stories by notable American performing songwriters. Smither’s story Leroy Purcell about a touring musician’s encounter with a Texas State Patrolman leads off the collection. \nWith the release of his 12th recording Leave The Light On (2006) on his own imprint\, Mighty Albert\, Smither began a new label relationship with the renowned acoustic and modern folk label\, Signature Sounds. For the recording\, Smither reunited with producer David Goodrich and session musicians Mike Piehl\, Lou Ulrich and Anita Suhanin. As an added treat\, Smither invited good friend and Grammy Award-winning multi- instrumentalist\, Tim O’Brien\, along with rising American roots stars\, Ollabelle\, to add their distinctive talents on several tracks. Smither followed this with Time Stands Still (2009)\, his most stripped down recording in some time\, working with just two accompanists after the same trio had played a rare band performance – a non-solo setup required in order to play a Netherlands festival. \nAbout the recording Smither says\, “We’re the only three guys on this record\, and most of the songs only have three parts going on. We had a freewheeling feeling at that festival gig\, and we managed to make a lot of that same feeling happen in this record.” In 2011 Smither put out two fan projects: a collection of live tracks from newly discovered concert recordings from the 1980s-1990s titled Lost and Found and the rollicking EP\, What I Learned in School\, on which Smither covered six classic rock and roll songs. \nSmither followed these fan-projects with Hundred Dollar Valentine (2012)\, a ★★★★★ (MOJO) studio record of all Smither-penned songs. With longtime producer David “Goody” Goodrich at the helm\, this collection sported Smither’s trademark acoustic guitar sound and evocative sonic textures meshed with spare\, brilliant songs\, delivered in a bone-wise\, hard-won voice. \nIn 2014 Smither released Still on the Levee (2014) – a double-CD retrospective. Recorded in New Orleans at the Music Shed\, this career-spanning project features fresh new takes on 24 iconic songs from his vast career and some very special guests including the legendary Allen Toussaint and Loudon Wainwright III. \nThe coffee table style book Chris Smither Lyrics 1966-2012 and Signature Sounds’ Link of Chain – an all-star tribute record including a stellar list of artists offering their takes on some Smither favorites including Josh Ritter\, Bonnie Raitt\, Loudon Wainwright III\, Dave Alvin\, Peter Case\, Tim O’Brien\, Patty Larkin\, and many others were fan-favorite accompaniments to the retrospective CD . \nIn March 2018\, Smither released his eighteenth record\, Call Me Lucky (Signature Sounds/Mighty Albert) once again teaming up with producer and multi-instrumentalist David Goodrich. Also joined by Billy Conway (Morphine) and Matt Lorenz (The Suitcase Junket)\, Smither recorded eight new originals along with some very special and surprising covers at the Blue Rock studios in the Texas hills in June 2017. \nIn October 2020\, More From The Levee\, the followup to the 50-year career retrospective Still on the Levee\, was released. Said Acoustic Guitar: Smither sings about “the big things – life\, love\, loss – in a penetrating and poetic yet unpretentious way.” \nThe 20th release\, All About the Bones (release date: May 3\, 2024 on Signature Sounds/Mighty Albert\, distributed by Redeye) is as elemental as the inky black shadows cast by a shockingly bright moon. Featuring eight brand new Chris Smither songs and Smither renditions of Eliza Gilkyson’s “Calm Before the Storm” and also Tom Petty’s “Time to Move On”\, the listener is welcomed into some gothic mansion on an imaginary New Orleans street\, and there in the lamplit parlor confronts the band\, a minimalist skeleton crew: Smither’s inimitable propulsive guitar and rumbling baritone are joined seamlessly to producer David Goodrich’s carpetbag of instruments\, Zak Trojano’s rock-steady\, primal drumming\, BettySoo’s diaphanous harmony vocals\, and the flat\, mournful flood of Jazz legend Chris Cheek’s saxophone. Recorded at Sonelab Studios in Easthampton MA by Justin Pizzoferrato All About the Bones has a feel that is somehow baroque and austere at once.
URL:https://www.vivafallriver.com/event/chris-smither/
LOCATION:Narrows Center for the Arts\, 16 Anawan St.\, Fall River\, MA
CATEGORIES:Live Music
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20261205T200000
DTEND;TZID=America/New_York:20261205T220000
DTSTAMP:20260622T143643Z
CREATED:20260622T143643Z
LAST-MODIFIED:20260622T143643Z
UID:10022367-1796500800-1796508000@www.vivafallriver.com
SUMMARY:Joan Osborne Sings the Songs of Bob Dylan
DESCRIPTION:Saturday\, December 5\, 2026\n$60 Advance | $63 Day of Show\n[all-in pricing\, no additional fees]\nDoors 7pm | Show 8pm \nIn 2017\, Grammy-nominated artist Joan Osborne released the critically acclaimed album\, Songs of Bob Dylan. Her artistic and soulful reinterpretations of the selection of Dylan songs was an eye-opening moment in an already celebrated career. \nEight years after milestone recording\, Osborne released the stunning Dylanology Live on April 25th\, 2025. The captivating recording finds the gifted vocalist performing in front of a live audience\, with special guests Amy Helm\, Robert Randolph and Jackie Greene. Songs include “Spanish Harlem Incident”\, “Buckets Of Rain” “Masters Of War”\, “Tonight I’ll Be Staying Here With You” and “High Water (For Charley Patton)”.\nThroughout her three-decade\, multi-Grammy nominated career\, Joan Osborne has never been an artist confined to one space as she continues to seamlessly blend into any genre. Her incredible and distinctive voice always shines through her own songs\, while she has also become one of her generation’s finest interpreters. Dylanology Live is yet another testament to her artistic range.
URL:https://www.vivafallriver.com/event/joan-osborne-sings-the-songs-of-bob-dylan/
LOCATION:Narrows Center for the Arts\, 16 Anawan St.\, Fall River\, MA
CATEGORIES:Live Music
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